Codename: Knight Ranger Official Blog Tour Master Link List

Codename Knight Ranger Official Blog Tour Banner

KNIGHT RANGER POSTER ART 2My blog tour in support of Codename: Knight Ranger launches Monday, 2 November 2015! Check out Seventh Star’s announcement here. This blog post will serve as the master list, and I’ll add live links to the each post as soon as I know they’ve gone up.

It’s going to be an exciting week and I hope you come back frequently to check it out.  I want to thank all of the book bloggers who volunteered to be a part of the fun.

The complete blog tour is as listed:

Monday, 2 November 2015
On Cloud Eight and a Half (Guest Post)

Tuesday, 3 November 2015
Author Interview with Pete Welmerink

Wednesday, 4 November 2015
Armand Rosamilia Guest Post
RJ Sullivan Top 5 Post
Book In The Bag Author Interview/Guest Post

Thursday, 5 November 2015
Darkling Delights Author Interview

Friday, 6 November 2015
Beauty in Ruins: Science vs Superstition, Military vs Monsters? (Guest Blog)
Sheila’s Blog (Guest Blog)
Bee’s Knees Reviews

Saturday, 7 November 2015

Sunday, 8 November 2015

Please check in regularly to see the list fill in, and leave a comment below as the tour progresses and to let me know what you think.

Thanks & remember TBIYTC!!!

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SPOTLIGHT ON AFRICAN AMERICAN AUTHOR DONALD GOINES

DONALD GOINESAfrican American author, Donald Goines was born in Detroit, Michigan on December 15, 1936. He came from a middle-class background, where his parents ran a laundry business. According to stories told to him by his mother—Myrtle Goines—the family was descended from a sexual encounter between Jefferson Davis and a slave. At age 15, Goines lied about his age in order to join the Air Force, where he fought in the Korean War. During his service, Goines developed a heroin addiction which he continued after his being honorably discharged from the military during the mid-1950’s. In order to support his addiction Goines committed multiple crimes, including pimping and theft, and was sent to prison several times. While serving time in Michigan’s Jackson Penitentiary, he began writing. He initially attempted to write westerns, but decided to write urban fiction after reading Iceberg Slim’s autobiography “Pimp: The Story of My Life”.

Goines continued to write novels at a fast-tracked pace to support his drug addictions, with some books taking only a month to complete. His sister Joan Goines Coney later stated that Goines wrote at such an accelerated pace in order to avoid committing more crimes and based many of the characters in his books on people he knew in real life.
In 1974 Goines published Crime Partners, the first book in the Kenyatta series under the pseudonym, “Al C. Clark”. Holloway House’s chief executive Bentley Morriss requested that Goines publish the book under a pseudonym in order to avoid having the sales of Goines’ work suffer due to too many books releasing at once. The book dealt with an anti-hero character named after Jomo Kenyatta that ran a Black Panther-esque organization to clear the ghetto of crime. In his book The Low Road, Eddie B. Allen remarked that the series was a departure from some of Goines’ other works, with the character of Kenyatta symbolizing a sense of liberation for Goines.

“Inner City Hoodlum”, which Goines had finished before his death, was published posthumously in 1975. The story, set in Los Angeles, was about “smack”, money and murder.
On October 21, 1974 Goines and his common-law wife were discovered dead in their Detroit apartment. The police had received an anonymous phone call earlier that evening and responded, discovering Goines in the living room of the apartment and his common-law wife Shirley Sailor’s body in the kitchen. Both Goines and Sailor had sustained multiple gunshot wounds to the chest and head. The identity of the killer or killers is unknown, as is the reason behind the murders. Popular theories involve Goines being murdered due to his basing several of his characters on real life criminals as well as the theory that Goines was killed due to his being in debt over drugs.
Goines was later buried with his mother placing several of his books in his coffin.

DOPEFIEND
PERSONAL NOTE:

The highest selling genre among African Americans is Urban Fiction or Urban Lit. As a fan of Goines’ work, he was the first author in this genre I read. His work(s) have helped to shape and influence many of today’s Urban Fiction authors. It is my shared opinion that Donald Goines’ is the quintessential “Father” of Urban Fiction/Urban Lit.

 

BIBLIIOGRAPHY

Kenyatta series
• Crime Partners (1974) [as Al C. Clark]
• Death List (1974) [as Al C. Clark]
• Kenyatta’s Escape (1974) [as Al C. Clark]
• Kenyatta’s Last Hit (1975) [as Al C. Clark]

STANDALONE NOVELS

Dopefiend (1971)
Whoreson (1972)
Black Gangster (1972)
Street Players (1973)
White Man’s Justice, Black Man’s Grief (1973)
Black Girl Lost (1974)
Eldorado Red (1974)
Swamp Man (1974)
Never Die Alone (1974)
Cry Revenge (1974) [as Al C. Clark]
Daddy Cool (1974)
Inner City Hoodlum (1975)

MUSICAL INFLUENCES
Goines’ writing has had an impact upon several people, with several rappers inserting mentions of Goines and his writing into their lyrics. In his 1996 song “Tradin’ War Stories”, rapper 2Pac writes “Machiavelli was my tutor, Donald Goines my father figure”. Ludacris mentions Goines in his 2006 song “Eyebrows Down”. AZ compares himself to Donald Goines’ work in “Rather Unique,” with the line, “Your mind’s boggled but I’m as deep as Donald Goines’ novels.” Nas also named the song “Black Girl Lost” on his sophomore album It Was Written after the book by Goines. Goines’ books are also utilized in several prison literacy programs and his novel “Dopefiend” has been taught in a Rutgers University class.

FILMS
Some of Goines’ works have been adapted into film. His book “Crime Partners” was turned into a 2001 film starring Ice-T, Snoop Dogg, and Ja Rule, and in 2004 his book “Never Die Alone” was also released as a film starring DMX.

GRAPHIC NOVEL
In 2006, a graphic novel adaptation of the book “Daddy Cool” was released by Holloway House.

SPOTLIGHT ON AFRICAN AMERICAN AUTHOR CHESTER HIMES

CHESTER HIMESChester Bomar Himes was an African American writer born in Jefferson City, MS, on July 29, 1909. His parents were to Joseph Sandy Himes Sr. and Estelle Bomar Himes; his father was a peripatetic black college professor of industrial trades and his mother was a teacher at Scotia Seminary prior to marriage.

At age twelve, Himes’ father began teaching at Branch Normal College (now the University of Arkansas). He and his brother Joseph Jr., were made to sit out a gunpowder demonstration by their mother as punishment for bad behavior. The boys decided to conduct the experiment without adult supervision, which resulted in an explosion that blinded Joseph Jr. The aftermath of this tragedy had a profound effect on how Himes viewed race relations later in life. When Joseph Jr. was rushed to the nearest hospital, he was denied treatment due to his race.

“That one moment in my life hurt me as much as all the others put together,” Himes wrote in The Quality of Hurt:
“I loved my brother. I had never been separated from him and that moment was shocking, shattering, and terrifying….We pulled into the emergency entrance of a white people’s hospital. White clad doctors and attendants appeared. I remember sitting in the back seat with Joe watching the pantomime being enacted in the car’s bright lights. A white man was refusing; my father was pleading. Dejectedly my father turned away; he was crying like a baby. My mother was fumbling in her handbag for a handkerchief; I hoped it was for a pistol.”

A short time later, the family settled in Cleveland, Ohio. His parents’ marriage was an unhappy one which eventually ended in divorce.
Himes attended East High School while in Cleveland. Later, during his time as a freshman at Ohio State University in Columbus, Ohio, he was expelled for playing a prank. He was arrested in 1928 for armed robbery and sent to Ohio Penitentiary. He was sentenced to hard labor for 20 to 25 years.
While in prison, Himes wrote a number of short stories, which were eventually published in national magazines. Later, he would state that his prison writings and publications were a means of earning respect from guards and fellow inmates. It also helped him to avoid personal violence.

Himes’ first stories appeared The Bronzeman magazine starting in 1931. His work later appeared in Esquire magazine in 1934. Of particular note was a story titled, “To What Red Hell”. His debut novel “Cast the First Stone”, dealt with the catastrophic 1930 prison fire Himes witnessed while serving time at Ohio Penitentiary. It was published almost ten years after it was written, most likely due to Himes’ unusually candid treatment—for that time period—of a homosexual relationship. Originally written in the third person, it was rewritten in the first person in a more “hard-boiled” style (which Himes would eventually become famous for) and posthumously republished unabridged in 1998 as “Yesterday Will Make You Cry”.

Himes was transferred to London Prison Farm that same year and in April 1936, was released on parole into his mother’s custody. He continued to write following his prison release, while working part-time jobs. It was during this period that he came into contact with author, Langston Hughes. Hughes facilitated Himes’s contacts with the world of literature and publishing.

In 1936 Himes married Jean Johnson (who he later divorced), Four years later, he moved to Los Angeles, where he worked as a screenwriter and also produced two novels, “If He Hollers Let Him Go” which contains many autobiographical elements — is about a black shipyard worker in Los Angeles during World War II struggling against racism, as well as his own violent reactions to racism. His next novel, “The Lonely Crusade” that charted the experiences of the wave of blacks who were part of the Great Migration. Himes’s novels encompassed many genres including the crime novel/mystery and political polemics, exploring racism in the United States. His work centered on African Americans in general, especially in two books that are concerned with labor relations and African-American workplace issues. He also provided an analysis of the Zoot Suit Riots for The Crisis, the magazine of the NAACP.

Hines screenwriting career came to an abrupt halt Jack Warner of Warner Brothers heard about him and said, “I don’t want no niggers on this lot.”
Himes later wrote in his autobiography:
“Up to the age of thirty-one I had been hurt emotionally, spiritually and physically as much as thirty-one years can bear. I had lived in the South, I had fallen down an elevator shaft, I had been kicked out of college, I had served seven and one half years in prison, I had survived the humiliating last five years of Depression in Cleveland; and still I was entire, complete, functional; my mind was sharp, my reflexes were good, and I was not bitter. But under the mental corrosion of race prejudice in Los Angeles I became bitter and saturated with hate.”

By the 1950s Himes had decided to leave the United States and settled permanently in France. Himes like the country in part due to his popularity in literary circles. While in Paris, Himes’ was the contemporary of the political cartoonist Oliver Harrington and fellow expatriate writers Richard Wright, James Baldwin, and William Gardner Smith.

Himes was most famous for a series of Harlem Detective novels featuring Coffin Ed Johnson and Gravedigger Jones, New York City police detectives in Harlem. The novels feature a mordant emotional timbre and a fatalistic approach to street situations. Funeral homes are often part of the story, and funeral director, H. Exodus Clay is a recurring character in these books.
The titles of the series include “A Rage in Harlem, The Real Cool Killers, The Crazy Kill, All Shot Up, The Big Gold Dream, The Heat’s On, Cotton Comes to Harlem, and Blind Man With A Pistol”; all written between 1957-1969.

COTTON COMES TO HARLEM“Cotton Comes to Harlem”, was made into a movie in 1970, which was set in that time period, rather than the earlier period of the original book. A sequel, “Come Back, Charleston Blue”, was released in 1972, and “For Love of Imabelle” was made into a film under the title “A Rage in Harlem”, in 1991.

It was in Paris in the late 1950s that Chester met his second wife Lesley Himes, née Packard, when she was assigned to interview him. She worked as a journalist for the Herald Tribune, where she wrote her own fashion column, “Monica”. He described Lesley as “Irish-English with blue-gray eyes and very good looking”. In her, he found someone who didn’t judge him for his race and he also admired her courage and resilience.

In 1958 he won France’s Grand Prix de Littérature Policière and a year later, Himes suffered a stroke, which led to Lesley quitting her job so that she could nurse him back to health. She cared for him for the rest of his life, and worked with him as his informal editor and proofreader. After a long engagement, they were married in 1978.

Lesley and Chester faced adversities as a mixed race couple living in that time period however, they were resilient and prevailed. People close to the author recalled his life with Lesley as one filled with unparalleled passion and great humor. Their circle of political colleagues and creative friends included; Langston Hughes, Richard Wright, Malcolm X, Carl Van Vechten, Pablo Picasso, Jean Miotte, Ollie Harrington, Nikki Giovanni and Ishmael Reed. Their Bohemian life in Paris eventually led them to the South of France and finally on to Spain, where they remained until Chester’s death in 1984.

Some within the publishing industry regard Chester Himes as the literary equal of Dashiell Hammett and Raymond Chandler. Ishmael Reed has said, “[Himes] taught me the difference between a black detective and Sherlock Holmes” and it would be more than 30 years until another Black mystery writer, Walter Mosley and his Easy Rawlins and Mouse series, had even a similar effect.

In 1996, his widow Lesley Himes went to New York to work with Ed Margolies on the first biographical treatment of Himes’s life, entitled The Several Lives of Chester Himes, by long-time Himes scholars Edward Margolies and Michel Fabre, published in 1997 by University Press of Mississippi. Later, novelist and Himes scholar James Sallis published a more deeply detailed biography of Himes called “Chester Himes: A Life (2000)”.

A detailed examination of Himes’s writing and writings about him can be found in “Chester Himes: An Annotated Primary and Secondary Bibliography” compiled by Michel Fabre, Robert E. Skinner, and Lester Sullivan (Greenwood Press, 1992).

Himes was a member of Alpha Phi Alpha fraternity.

In May 2011, Penguin Modern Classics in London republished five of Himes’ detective novels from the Harlem Cycle.

On a personal note:

Chester Himes, along with Walter Moseley and Robert B. Parker were HUGE influences on my writing in terms of both content and style. I owe these men a great debt and I honestly don’t think that I’d be a writer today, had I not experienced reading their work(s).

 

 

BIBLIOGRAPHY:

If He Hollers Let Him Go, (1945)
Lonely Crusade, (1947)
Cast the First Stone, (1952)
The Third Generation, (1954)
The End of a Primitive, (1955)
For Love of Imabelle, alternate titles The Five-Cornered Square, A Rage in Harlem, (1957)
The Real Cool Killers, (1959)
The Crazy Kill, (1959)

AUTOBIOGRAPHIES:

The Quality of Hurt (1973)
My Life of Absurdity (1976)

 

 

CELEBRATING DIVERSITY WITHIN SPECULATIVE FICTION IS NOT DIVISIVE OR SEPARATIST

WHAT WE CAN ALL LEARN FROM BLACK SPECULATIVE FICTION MONTH

 

Last month, I ran a series of blog posts spotlighting Black Speculative Fiction Month. BSFM was designed to acknowledge and spread the word about black authors and artists within the speculative fiction genre.
In and of itself, speculative fiction is mostly represented by whites and thus doesn’t usually have protagonists of color. That said, the readers of speculative fiction are mostly unaware of black authors in the genre.

One of the intentions of BSFM is to not only celebrate the achievements of black authors—which can be easily overlooked by the mainstream audience—but to also inform and educate the readers and potential reader of speculative fiction that diversity does exist and that various racial and cultural groups are being represented.

Many within the black community don’t read speculative fiction because they see it as either silly—too far removed from reality—or dominated by whites who often exclude any characters of color. So, most of the black community isn’t even aware that black speculative fiction authors exist. This is where BSFM comes into play.

The month long celebration informs those within the community and in the mainstream who don’t know, of the existence of black speculative fiction authors. This is an effort to not only inform readers of black authors, but to also bring new readers to the genre of speculative fiction as a whole.

I was confronted by an individual who felt that having BSFM was divisive and separatist. I attempted to explain that his interpretation of the celebration was not at all its intent. I tried to point out the goals I stated earlier, but unfortunately to no avail.

Sure, as you would expect most black speculative fiction writers have a predominately black cast of characters, whereas most white speculative fiction writers have a predominately white cast of characters. We write within our framework of experience and what comes natural and to me there’s nothing wrong with that. I have white characters, Asian characters, etc… in my work(s), as white authors have black characters within their work(s). But how I approach any character I create—regardless of race—is to make them human, first and foremost. I don’t get caught up in trying to make them conform to typical stereotypes in order to assert authenticity. To do this, creates a caricature of an ethnic group and does almost nothing to develop the character as an entity.

I have enjoyed books where the cast of characters were all white, but I never got particularly angry or disgruntled, nor did I urge those creators to include token blacks to make their work more balanced. I write stories with black protagonists and a predominately black cast, not in answer to my white counterparts, but because that’s what comes naturally to me. It’s not divisive or separatist to write what you know.

It wasn’t too long ago that the mainstream public refused to acknowledge, let alone publish or feature black speculative fiction authors. If we as a group wanted to be seen or heard, we had to do it for ourselves. Now, there is a slow movement to integrate black creators into the mainstream however, much more is yet to be done and  celebrations like BSFM only help to foster diversity within the world of genre fiction by spreading the word about those outside of the mainstream’s purview.

A lot of people I know within speculative fiction are coming together to explore our differences and learn something new about other people and to me that’s a good thing. It has always been my idea that when I’m reading speculative fiction, I’m looking for a bold new adventure. What could be more different than to step outside of the box you’re accustomed to and explore a more diverse take on genre fiction? I’m not sure how making people aware of diversity, exploring new cultural takes on genre fiction and authors writing within the scope of their experience is such a bad thing.

BLACK SPECULATIVE FICTION MONTH SPOTLIGHT #25

TODAY’S BLACK SPECULATIVE FICTION MONTH SPOTLIGHT IS BALOGUN OJETADE!

1014308_10151651562099253_183144284_nBalogun is the author of the bestselling Afrikan Martial Arts: Discovering the Warrior Within and screenwriter / producer / director of the films, A Single Link and Rite of Passage: Initiation.

He is one of the leading authorities on Steamfunk – a philosophy or style of writing that combines the African and / or African American culture and approach to life with that of the steampunk philosophy and / or steampunk fiction – and writes about it, the craft of writing, Sword & Soul and Steampunk in general, at http://chroniclesofharriet.com/.

He is author of three novels – the Steamfunk bestseller, MOSES: The Chronicles of Harriet Tubman (Books 1 & 2); the science fiction gangster saga, Redeemer; and the Sword & Soul epic, Once Upon A Time In Afrika and contributing co-editor of two anthologies: Ki: Khanga: The Anthology and Steamfunk. He is also co-creator of the soon-to-be-released role-playing game, Ki-Khanga™: The Sword & Soul RPG.

 

 

 

 

 

 

 

 

Once Upon A Time In Afrika

 

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redeemer-mr-balogun-ojetade-paperback-cover-art

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Balogun can be found on Facebook at https://www.facebook.com/Afrikan.Martial.Arts and on Twitter at https://twitter.com/Baba_Balogun.

 

BE SURE TO HELP CELEBRATE BLACK SPECULATIVE FICTION MONTH BY CHECKING OUT THE WORK(S) OF THIS WONDERFUL CREATOR & REMEMBER TBIYTC!!!

BLACK SPECULATIVE FICTION MONTH SPOTLIGHT #24

TODAY’S BLACK SPECULATIVE FICTION MONTH SPOTLIGHT IS WAYNE RILEY!

allknightzteamWayne Riley is the brainchild behind All Knightz, a team of animators, graphic designers, illustrators and writers who are together most notably responsible for the animated series known as ‘Hard Wired’. Their aim is to give you a whole new fresh take on how you view comic books and cartoons by giving you a different kind of character that you and your children will always remember as well as a new way of story telling that will encourage you to look deeper into the stories from our African history.

 

 

 

 

 

 

 

 

 

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BE SURE TO HELP CELEBRATE BLACK SPECULATIVE FICTION MONTH BY CHECKING OUT THE WORK(S) OF THIS WONDERFUL CREATOR & REMEMBER TBIYTC!!!

BLACK SPECULATIVE FICTION MONTH SPOTLIGHT #23

TODAY’S BLACK SPECULATIVE FICTION SPOTLIGHT IS MILTON DAVIS!

 

 

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Milton Davis works as a full time chemist and a part time writer. He is finally fulfilling my dream of writing by self publishing his novels and stories. His publishing company is MVmedia Publishing and Beyond.

 

 

 

 

Some of his titles include:

  • Meji: Vol 1 & 2
  • Changa’s Safari:  Vol 1 & 2

Anthologies he’s published and had work appear in:

  • Griots: A Sword & Soul Anthology
  • The Steamfunk Anthology

MEJI VOL 1 BOOK COVER

GriotsWoman of the WoodsSteamfunk

 

 

 

 

 

 

 

 

 

 

To learn about other titles and purchase copies of his work(s) visit the company website @: http://www.mvmediaatl.com/

Check out his blog Wagadu @: http://www.mvmediaatl.com/Wagadu/

 

BE SURE TO HELP CELEBRATE BLACK SPECULATIVE FICTION MONTH BY CHECKING OUT THE WORK(S) OF THIS WONDERFUL CREATOR & REMEMBER TBIYTC!!!